I’ve never been much of a drinker. Sure, in my rebellious
teenage years I was known to imbibe a few adult beverages on the
weekends. But on the whole, it’s safe to bet Marie Osmond has been
drunk more times than I have. That said, after listening to the new
release from Celtic-rockers The Pourmen titled Too Old To Die
Young, I’m suddenly overtaken with an overwhelming urge to
drink my weight in Kilkenny Irish Cream Ale while running naked up
and down Westminster Street, stopping only to instigate a few bar
brawls and refuel on Guinness Extra Stout!
Lest there be any confusion, The Pourmen are NOT your father’s
St. Paddy’s Day pub act. Led by singer and mandolin player Rick
Bennet, this New Bedford-based quintet combines elements of the
familiar sounds of traditional Irish Celtic, country, folk and
bluegrass music, with an energy and attitude synonymous with punk and
greasy balls-out rock ‘n’ roll! Barely a year old, this nascent
act has already made waves around the New England live circuit,
appearing at major area events like the New Bedford Folk Festival and
the Barnstable County Fairgrounds, as well as opening for nationals
like The Mahones and Continental (featuring Dropkick Murphys founding
member Rick Barton).
The Pourmen consist of Jeff Shaw (fiddle, mandolin), Alex Platt
(guitars), Tom Dube (bass banjo), Mike Bobrowiecki (cocktail drumset)
and the aforementioned frontman Rick Bennet. The material on their
latest CD Too Old To Die Young pulls constantly from their
Irish folk roots, but injects a great deal of attitude and off-beat
humor, which elevates the style to something uniquely their own. The
kickoff track “Hellbound” is musically what you’d expect from a
modern Celtic rock act: a jaunty two-step rhythm replete with
mandolin and fiddle. But it’s the lyrical content that truly
illustrates precisely what The Pourmen are all about. “I’ve tried
so hard to give up all the booze and drugs and sin. I’ll never win.
I’ll never shake this trouble that I’m in … I love this life
and I don’t see no point in walking toward the light. I’ve come
too far for a cheap cigar so light up that Rocky Patel. I’ll never
get to Heaven so I’ll raise a little Hell.”
The band revisits this fast living, hard drinking theme on “What
Did I Drink Last Night?” The song barrels along almost like an
Irish version of Johnny Cash’s “Cocaine Blues,” except, of
course, for that hint of a brogue in Bennet’s vocal delivery. “Well
I jumped into my trousers and I headed to the street, in the middle
of Dorchester, no shoes on my feet. My left eye was all swollen and I
think I’m missing teeth. Tell me what did I drink last night?”
There are so many standout tracks on Too Old To Die Young
it’s almost impossible to pick out just a few plum highlights.
There’s the rockabilly-tinged “Irish Girl” which, though
admittedly varying a bit from their Celtic style, nevertheless
contains every drop of The Pourmen’s biting, 90-proof humor:
“Met her in the fifth grade, tried to kiss her in the hall. She
turned around and smiled and kicked me in the balls – Irish Girl,
she knows how fight – Irish Girl, her mother’s taught her right,
and now she rocks my world, yeah you and me Irish Girl!”
There’s no doubt in my mind that The Pourmen are brilliant
musicians and songwriters, who seemlessly encapsulate all the
trappings of the fast living, hard-drinking, rabble-rousing Derry
culture into song with as much integrity and skill as U2 did in
embodying the politically volatile side of Irish society into theirs.
The difference is The Pourmen are a helluva lot more fun! Grab a copy
of Too Old To Die Young, pull a proper pint of Guinness, and
whatever you do, don’t wait until March 17 to experience this
superb band!
No comments:
Post a Comment